Our temperatures have been in the single Fahrenheit digits for a couple of days now, so to get Josie O (my Chihuahua) her quota of mental stimulation, I’ve been taking her to stores. Yesterday we went to Marshalls. I put her carry box in the front of the cart, and she stood with her front paws on the edge, like the figurehead of a ship if the figurehead of a ship were covered in fur and made licky faces at people. (Note to self: horror movie idea: seafaring werewolves.)
Afterwards, I stopped by Ideal market and bought Popsicles, because no weather is too cold for Popsicles unless you’re in a tent.
In other news, I’m reading Maddy Hunter‘s Passport to Peril mysteries, which are hilarious. In Pasta Imperfect, two bestselling romance writers bicker about how “ten inches of flaming virility” really behaves.
“People have actually done surveys and the consensus is, it doesn’t throb!”
I cleared my throat and raised a tentative finger in the air. “If you ladies don’t mind my asking, if it doesn’t throb, what does it do?”
“Maybe it quivers,” Nana said thoughtfully. “You know, kind of like a handheld blender.”
So I’m going to put Maddy Hunter on my list of fantastically funny mystery writers, up there with Laura Levine, that goddess of laughter.
Lastly, I seem to be over my embarrassing writers block and working well on Critter from the Black Lagoon again, although there was a moment when it was possibly going to be Beaver from the Black Lagoon, because in addition to killer hogs, prehistoric central Florida was also home to beavers the size of black bears.
Luckily, a cooler head prevailed (my head, just cooler), and I’m sticking with pigs.
I’m still shooting for a July release date, which is the soonest I can bring it out according to my contract with St. Martin’s.
P.S. If you don’t understand the title of this post, it’s a reference to the movieGroundhog Day.
My best, funniest interview ever is up on Scene of the Crime, and it includes a page from my SUPER SECRET journal from when I was a kid. What dark thoughts lurked in my childish noggin? Apparently they involved novelty socks. You can read it here.
Just want to take a moment to pimp fellow mystery author Steve Hockensmith, who writes a bunch of stuff, including the Holmes on the Range series, which I love. In his recent blog post, he writes about the art of the short story.
Angus, Michael and Suki bring the banter to the Killer Characters blog today. It’s like a short bonus chapter of The Portrait of Doreene Gray. Come on over, ask them a question, suggest a location for a book, or tell about some inexplicable experience you’ve had, especially if it’s motel-related.
It wasn’t until I read my own first line in a review of The Portrait of Doreene Gray that I realized I’d used one of the oldest writing tropes in the book.
Outside the darkened windows of Doreene Gray’s second floor bedroom, a squall buffeted the house and whistled across the gingerbread trimming.
Yup. I’d essentially written, “It was a dark and stormy night.”
Then I thought about the word “cliché,” and then I wondered what the heck it meant in the original French.
The word is borrowed from French. In printing, a cliché was a printing plate cast from movable type. This is also called a stereotype.[6] When letters were set one at a time, it made sense to cast a phrase used repeatedly as a single slug of metal. “Cliché” came to mean such a ready-made phrase. Many authorities say that the French word “cliché” comes from the sound made when the molten stereotyping metal is poured onto the matrix to make a printing plate,[7][8][9] including the statement that it is a variant of cliquer, “to click”,[10] though some express doubt.[11][12]
Pretty interesting, non? Anyway, this is all by way of pointing out that there’s a new review for Portrait. Bonus points for her use of “inveigling.” Haven’t heard that word in ages.
Your most loyal readers are invested in you, the author.
Pre-internet, “you” consisted of your writing voice, an author photo, and the occasional interview. Now we have the option of engaging our readers with stories of our lives, our writing process, and the interesting things we learn during book research — all of it augmented with pictures, videos, and the opportunity for readers to have a conversation through comments.
This is where short stories have a serious promotional advantage over free books.
I want you to imagine two scenarios of reader engagement.
1) Free Book Offer
You give away your book for a certain period of time. The word goes out over FB, Twitter, through your blog, and if you’re lucky, an aggregator of free book offers. Readers looking for free books click the link to your book. The best of these people first read the description of your book and only acquire if it fits their preferred genre. The worst will read anything, and if it’s not to their taste, they may leave a crappy review on Amazon or B&N (this happens). Because they went directly to the book’s purchase page, there is no need for them to visit your website or learn more about you. If your ebook is being given away through a print publisher, there may not even be a hotlink to your website at the end of the ebook. If there is, it’s often unhandy to surf the Web on a dedicated ebook device.
2) Free Short Story Offer
You give away a short story, set in your series’ universe and with your characters, on your website. The word goes out as before, ideally with a photo that is larger than the average book-cover thumbnail. The reader goes to your website, sees a photo of you, sees the covers and titles of your other books in the sidebar or banner. Ideally, they begin reading the story immediately, because it doesn’t require a big time requirement. You include photos in the text that evoke the location, any featured animals, something that sets a mood. At the bottom, within the text, you include a personal note that says you hope they enjoyed it. They should feel free to pass it on. You encourage them to sign up for your email list, so they know when more free stories come out. Look, the email sign up box is right there on the right, see? And of course, if they liked the story universe, here are links to the first few chapters of your books, with links to buy at the end.
Unlike a temporary free book offer, your short story will always be free.
That blog post will work for you ad infinitum, not for a limited time. Along with other items on your website, that story is searchable, and contains key words that bring readers to your site through Google searches. If you want, you can put your books on sale when you promote a new short story, to sweeten the deal.
I want you to imagine that instead of selling books, we’re selling food.
Let’s say there were as many manufacturers of food products as there are authors, and they came out with new items as often as we come out with new books, and they gave them away for a week at grocery stores. What would happen?
People would never have to buy food again.
When you go to a grocery story, those food demo people aren’t giving away free dinners. No, they give away samples, and often a coupon to buy the full item at a discount.
We should stop giving whole dinners away. Get your readers to your website and give them a free sample. Engage them with photos, stories of your life, and links to free chapters of your other books. Give them the opportunity to buy a book on sale, if you want.
When enough authors give away books, people never have to buy books again.
This blog post is a follow up to My Plea to Self-Published Authors, which talks about ways short stories are better for readers as well as authors, and one author’s success with short stories. I hope you’ll consider passing these articles along, or writing your own post on the benefits of giving away short stories rather than whole books. If you do, send me a link to your post through my Contact Page, so I can pass it around.
Next time, I’ll talk about what Amazon could do to help us sell more books.
Even one day of pricing your ebook at $0.00, multiplied by countless authors, means readers never have to buy a book again.
Hey, I’ve given away books in the past. But then I discovered that, as a reader, I could find enough free ebooks on one Facebook page, in one genre, in one week, to meet my reading needs for the next year. Sure, some of them are dreck, but there are enough enjoyable books to keep my entire family happily reading for free. And this is not a good thing.
There has never been a better time to be an author, if we don’t shoot ourselves in the foot.
The ebook is a revolution right up there with the printing press. For the first time, authors can market and sell directly to consumers. Now, I understand that we don’t have any control over whether Amazon gives our books away. But Amazon provides only a fraction of the freebies out there, and they do a lot of promoting of those authors, so that compensates. Let’s take Amazon off the table and discuss what we can control.
How can new self-published authors promote their work, if not with free stuff?
Write short stories set in your books’ universe, and give those away.
A good author friend of mine, Lynda Hilburn, has had tremendous success with this strategy. Every time she put out a free short story and notified the Kindle boards, all of her books got a bump in sales. She was making serious money on her self-published books – enough that a big-name agent took notice and got her a print offer she couldn’t refuse.
Free short stories instead of books benefit readers, too.
You can judge an author’s voice in the first couple of pages of a book, but you can’t judge their ability to tell a story until you read the whole thing — and readers often wish they had that time back. A short story lets readers know if they like an author in a fraction of the time.
Short stories can be placed outside the time frame of the author’s fictional universe. Let’s say I’m offered a free book, but it’s third in the series. That’s not an ideal situation. I’d prefer to sample the author without any spoilers for books one and two.
The lure of free is too strong.
When Amazon made their free Kindle reading app available, my purchases of books skyrocketed. But when everyone started giving books away in promtions, my purchases plummeted to the few authors I was determined to support. The lure of free books is too strong for most of us. We wind up reading books out of order, moving on to the next free thing instead of buying an author’s other books, and spending a lot of time half-heartedly reading full-length books, trying to decide if we like the story enough to keep going.
So that’s my plea. Give away a sample of your talent, then price the ebook such that readers don’t hesitate to buy — the cost of a nice cup of coffee seems to work well. And of course, giving one book away in a contest, or for charity, is a different thing.
Please spread the word.
The internet is huge. If even a fraction of authors continues to give their books away, we’re screwed. I hope you’ll share this post or write your own. Get the word out.
Within the next day or two, I’m going to be putting Porky Johnson’s International Bacon Museum on the page in Critter from the Black Lagoon, the third book in my Tripping Magazine mystery series.
I love coming up with creations like Porky and his museum. It’s a romp through the wilds of the internet, especially eBay. Usually I’m selfish and controlling as a writer. I don’t want input. But I have been working with a writers’ brainstorming group, and have loosened up enough to enjoy bouncing ideas off people. Also, there are fewer bacon collectibles out there than you’d think, even when including “ephemera” in the search terms.
“Ephemera” is a good word to know.
So I thought I’d see if anyone has suggestions on what an International Bacon Museum might contain. This is a roadside museum in central Florida. Porky is a hunter, a character and a highly motivated entrepreneur. For exhibits, he’ll probably have Bacon through the Ages and Bacon in Wartime (I’m thinking a diorama for the first, perhaps a full-size scene using 70s-era mannequins for the second). There will be a painstakingly drawn Bacon Family Tree, which will include both the near relatives of ham and jerky, as well as far-flung cousins such as Vienna sausages in a can. There will be a gift shop, of course, with bacon bandages, bacon mints and bacon bumper stickers. There may be a curtained-off area devoted to jokes on the theme of “makin’ bacon.” He’s either gotten his hands on an educational film about the actual production of bacon, or made his own unflinching documentary. “Sensitive folks may want to cover their eyes at the beginning. You have to kill a pig to make bacon. That’s just a fact of life.”
So far, I have not found an actual, physical museum of bacon, which astonishes me. If you know of one, tell me. And of course, if you provide an idea that I use, I’ll put you in the book’s acknowledgements at a bare minimum.
Marni Graff is the author of the Nora Tierney mystery series – which falls somewhere between a police procedural and a cozy. The second book in this very interesting series just came out, and I wanted to find out more. One lucky commenter will win a copy of The Green Remains.
Before we start talking to Marni, let me catch you up on the series. In The Blue Virgin, American writer Nora Tierney travels to Oxford, England. Her good friend has been wrongfully accused of murdering her partner. But is the accusation wrong?
In The Green Remains, Nora is living at Ramsey Lodge in England’s Lake District, anticipating the birth of her first child and the publication of her first children’s book. But when she finds a body by Lake Windemere, her illustrator, Simon Ramsey is implicated. As the body count rises, Nora and her unborn child will face risks and perils she could never anticipate.
Pretty riveting stuff, huh? Now, I’m a big fan of stories that take me to other countries, so I decided to ask Marni about setting her books in England rather than the U.S.
Author Marni Graff
Esri:
Setting is such a great way to add a tone or feeling to a story, especially if the setting has a strong “personality.” I’m trying to imagine a chipper comedy set in a place where it rains all the time – it’s difficult. I’m assuming you didn’t finish the books during your visits to the UK. Do you ever look at photos to get yourself back in a certain mood?
Marni:
I keep my photo albums of my last trip to Oxford and to the Lake District on my desk. As a matter of fact, we used a photo I took on Lake Windermere as the basis for the cover of The Green Remains. Cumbria is a place of such natural beauty, as opposed to Oxford, which has beauty of a very different kind, all of those golden ancient buildings and bustling crowded streets. It’s town vs country for sure; both strong in personality, as you mention, but of a very different kind.
When I read Elizabeth George’s newest (Believing the Lie) I wasn’t surprised to see she’d taken Lynley to a visit to Cumbria. But then I don’t have a lock on that place, as evidenced by Reginald Hill’s The Woodcutter, and one entire series by Martin Edwards, aptly called The Lake District Series. It’s one of my favorite places, and anyone who has seen the natural beauty of Cumbria comes away impressed. Beatrix Potter and Wordsworth and Ruskin all reveled in the tarns and becks, the fleecy clouds reflected in the many lakes’ surface.
Esri:
After I leave a remote book location, I sometimes have a logistical question about it. I once used Google Earth to find out if a parking lot had a convenient bush beside it, for my sleuths to hide behind (it did). Have you ever had this happen, and what did you do about it?
Marni:
Ah, yes, the challenges of setting … since my books are set so far away, I use a local contact to answer email questions and keep my photograph albums out for reference. But Google came into play when my copyeditor was going over The Blue Virgin. I’d set a character on a walk from his flat to the Covered Market, past Magdalen College, and it sounded like he’s arrived in about three minutes. Turns out Google told her the distance was a mile and a half, so we changed the text to show it took Davey a bit longer to get there!
Esri:
Any funny stories about travel or other experiences you had in the UK?
Marni:
When I studied at Oxford as an adult, I kept buying books and souvenirs, things I fell in love with because I knew it would be a while before I could go back and I loved the town. But I ran out of suitcase space and ended up having to mail myself a two cartons home … don’t ask about the postage. Since the cost was based on weight, I packed the boxes mostly with dirty clothes and put the books in my suitcase! Then I went through the security check on my way home, and this was before 9/11 and they did random baggage checks. Of course, mine was pulled and when the woman opened my suitcase, it was mostly all books. She looked at my passport, saw I’d been there over a month, then looked at my bag and said, “Lor, lass, where’s your knickers?”
Esri:
Nora is writing an illustrated children’s book in the same area where famed Peter Rabbit author Beatrix Potter lived. Did you (and Nora) take the tour? Buy any souvenirs?
Marni:
I’ve taken the tour (lovely) to Hill Top, and Nora will in a future book with her child. The World of Beatrix Potter attraction (think All Things Peter and Friends) is in the village where The Green Remains is set, right near Windermere. Potter’s influence in the area is enormous; she bought up 14 farms and over 4,000 acres of land and left it to The National Trust in her will so that it would never be developed. In this book, Nora is name-hunting for her child and considers a few Potter favorites, which she ultimately discards. But she does use Peter Rabbit and friends to decorate her son’s nursery.
Esri:
Good for her. You can’t go wrong with the classics. A non-location question: Each of your titles mentions a color. Do you remember what brought that about?
Marni:
The first book, The Blue Virgin, was my original title, based on a club that’s mentioned in the first chapter but is actually metaphor for the young woman whose murder sets Nora on her initial investigation. I work with an outstanding book designer, Giordana Segneri, and it was her idea when she designed the cover, to use the blue wash. We liked the effect so much I made certain I worked color into the title for The Green Remains. This one refers to the appearance of the dead body Nora stumbles over at the edge of the lake but is also a metaphor for what remains at the end of the book: new lives to be molded from the aftermath of tragedy. Right now I’m working on The Scarlet Wench, which is the name of the local pub already mentioned in Bowness in The Green Remains, and is a metaphor for … you’ll have to read it and find out! The fourth book’s working title is The Golden Hour.
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If you’d like to read excerpts of Marni’s books (and who wouldn’t?), they’re below. And don’t forget to comment for the chance to win a copy of her newest!
Marni Graff, also known as Auntie M, M.K., and Marnette, grew up in Floral Park, NY. She currently resides in rural North Carolina, living on the Pungo River, part of the coast’s Intracoastal Waterway. She’s a member of Sisters in Crime, and runs the NC Writers Read program in Belhaven. Graff is the author of screenplays, stories, essays and poetry, and writes two mystery series. Her creative nonfiction was most recently seen in Southern Women’s Review. She is also co-author of Writing in a Changing World, a primer on writing groups and critique techniques. Visit her at her blog, which has fab weekly book reviews, AuntiEmWrites.
Bonus link: A great guest post by Marni on Motherhoot, about her interesting journey to writing.
Josie O had a big day yesterday. She took her very first walk. It was morning, around 30 degrees F, so I put her black sweater and parka on and took her outside. Having never been on a real street, she was a little nervous about the occasional car going by, so I picked her up and carried her for a little. Then I put her back down. No more nervousness. She trotted along behind me. Whenever she didn’t make me wait and went in a straight line, I praised her to the skies. We walked about the length of a block, probably.
Yesterday I also gave a friend a ride from the hospital, very near our house, to her house. Joanie visited Josie a few weeks ago and fell in love with her, so she begged that I bring her in the car. So I did. Josie is good about peeing on command on her pad. Basically, I’ve praised her so much for peeing that if I put her on the pad and start praising, she pees. Handy. So she went potty before we left.
Joanie rode in the back so she could sit next to Josie in her car seat. Joanie has a great fenced patio, so Josie got to run around out there when she wasn’t being carried around or sitting in Joanie’s lap. When it was time to go, I took out the smallest of her pads, which I’d brought, and she peed again before we drove home.
I thought sure she’d be really tired for the rest of the day, but after a nap, she was her usual lively self for the rest of the day. Oh, and Joanie took the picture, above, of me and Josie in her kitchen.
In other news, I’m giving a workshop today on High Concept Marketing for your books, through the Rocky Mountain Fiction Writers. I love working with people on that. There will be index cards. Oh, yes, there will be index cards.
Our temperatures have been in the single Fahrenheit digits for a couple of days now, so to get Josie O (my Chihuahua) her quota of mental stimulation, I’ve been taking her to stores. Yesterday we went to Marshalls. I put her carry box in the front of the cart, and she stood with her front paws on the edge, like the figurehead of a ship if the figurehead of a ship were covered in fur and made licky faces at people. (Note to self: horror movie idea: seafaring werewolves.)
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Esri Allbritten 